DIGITAL SHADOWS

Digital Shadows

welcome, ye who cast thyself from the clutches of 'normality'— thy who hath tossed the notion of 'social acceptance' or any likening notions

SYSTEM NOISE

System Noise

thy pervators of total self-expression (regardless of social reaction etc), and any who find themselves to be a part of or otherwise fascinated by the fringes of both digital and physical society.

did you, too, spend most of your life so far preparing for an apocalypse that never came, but that still might—?

MEMORY DECAY

Memory Decay

did you expect to die before the age of 16? did you gamble everything on the feeling that there was no future,

...so you might as well burn your present into something worth salvaging?

SOLEMN STOIC MARTYR REMAINS

do not be put out by the scorn or disdain otherwise placed upon thy image as an art, or thy art as an image—

take heed in knowing that there are many more like you, like us. we walk alone but we walk in formation.

"a hundred thousand isolated machines all industrial noises clanging out dissonant to the same broken song."
The Wired

this is not a scene. this is not an aesthetic. this is the thing. and the thing does not require explanation.

it festers in DMs and doomed zip files. it lingers in discord bans, archive.org fragments, closed subreddits, locked Neocities. it grows where they aren't looking. it thrives where they forgot to censor.

parasocial sickness in unison as art

we are seekers of forgotten loops. cartographers of the psychic intranet. designers of malformed gods made of JPG artifacts and PDF schematics. we scream into the pipeline not to be heard— but to make real the angst and noise born as affect from dissolute rejection from a whole something.

mirror mirror

we must somehow work in tandem, isolated as we may be, to explode forth some small but meaningful cast-out into the void of internet creation— a mark to prove that we exist.

destrooy

that photo you took at 3AM of your face in the microwave reflection? that’s a spell. that’s your revenge. you thought it was a selfie? no. it’s evidence.

the scream is the part of the code that wasn’t meant to be read. a note in the margins that says:

“they touched me wrong and i never got over it.” “i wanted to be god or dead or both.”

this isn’t poetry. this is forensics.

INTENT

welcome, ye who cast thyself from the clutches of 'normality', thy who hath tossed the notion of 'social acceptance' or any likening notions into the metatragic garbage can of distaste, thy pervators of total self expression (regardless of social reaction etc), and any who find themselves to be a part of or otherwise fascinated by the fringes of both digital and physical society. did you, too, spend most of your life so far preparing for an apocalypse that has yet to come? did you expect to die before the age of 16, 18, 30? do not be put out by the scorn or disdain otherwise placed upon thy image as an art, or thy art as an image... take heed in knowing that there are many more like you, like us. we must somehow work in tandem, isolated as we may be, to explode forth some small but meaningful cast-out into the void of the internet creation, a mark to prove that we exist.

Digital Outcasts
OPENSLOT//SUBMIT NOW

Windows to the Void

numbpilled and false god-made in haze

hidden layer media invites any who relate to these statements to submit art, literature, imagery, music, poetry, videos, thesis statements, research papers, ANY ORIGINALLY CREATED CONTENT to be features on hidden layer media.

a magazine will be created and published monthly if we are able to receive enough submissions to do so. all are welcome, no matter how extreme or placid.

welcome to the hidden layer of the pre-apocalyptic acceleration era. please stay as long as you wish. you are welcome here. always.

peel back your flesh and show me that dirty rotten truth under your face where it bleeds